Archive for Kids Reading

This summer, Seattle artist and newly-published author Steve Ouch brings surrealism into the world of Children’s Bedtime Tales in a way never done before. The pop surrealism style imagery introduces children to the wild imagination of balancing hippos and cows who say meow.

“SteamPotVille is about teaching kids early to build on their imagination and be creative,” says Ouch. “We must focus on keeping our imaginations alive as we age. I encourage children to embrace and develop the wonders of creativity early on.”
While Ouch’s work is clearly a force of surrealist imagery, it possesses a strong sense of design as well. He refers to his work as “photo montage” though that might be a modest or incomplete descriptor, as it does not convey the complexity and innovation that comes to the fore upon viewing.
“I spend time deconstructing a scene I develop in my head, then I rough it out on paper. Next, I take pictures and apply them to the layout in Photoshop, over and over, until I feel like the image is strong enough to stand on its own. “
Ouch’s juxtaposition of surprising images is both enticing and captivating – for adults as well as children. Blending his childhood experiences, photographs and digital images is what led to the creation of the whimsical world of SteamPotVille – a place where you might find a pear smirking at you, a teapot serving carousel rides, or even pair of flippered feet on the verge of entering a Hiroshige-inspired tsunami wave – all in one scene, fitting together as seamlessly as pieces in a jigsaw puzzle. All for the sake of firing up the curiosity, drawing out the viewer’s own imaginative perception.
Ouch’s text supports the visual experience. In SteamPotVille your journey starts just like every other day – albeit in a town built of cowboy campfire coffee pots. But, at night when you fall asleep you start to dream and the world turns upside-down. Solving the mystery behind the weird occurrences in the town is only half the fun. SteamPotVille encourages readers to take an active role, pushing us to take an intimate look at each page and then come up with new tales in examining the topsy-turvy art. It’s clear SteamPotVille isn’t as simple as just another Children’s Tale.

“Each page (of SteamPotVille) has about 150 hours of illustration time. When you spend that much time on one piece, the characters start their improvisations. Adjusting the text to express this phenomenon makes the book a better read. That’s a flexibility that comes with being the author and the illustrator.”

Ouch’s accomplishments as a media innovator and online digital strategist has also awarded him prestigious work with companies like Ford Motor Company and Intel. Individual pieces from his collection, along with selections from his recently published SteamPotVille, can be viewed online or in collections in Seattle.

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Jun
19

Children And Languages

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How Many Languages Do You Speak?

If you grew up like I did, you probably were not introduced to a foreign language until the middle school years when you around 12. Sadly, the prime language learning time in our development was much younger. So most of us, just settle to be monolingual. Later we may have taken a foreign language in high school, but speaking for myself- I was far away from being bilingual. In fact, I took 4 years of Latin…go figure!

What languages were available when you were in school (American or otherwise)? In middle school (called Junior High back in those olden days) we had two mandatory choices. We could take Spanish or French. I opted for French, but not sure why. Perhaps it was because most of my friends signed up for Spanish and I wanted to be different, perhaps viewed as more sophisticated. Not sure. Then in High School, we had the usual choices, and of course Latin and I reckon there was German available. Later they added a Japanese elective. I don’t know exactly how the language choices were determined. My guess is that because we lived in North America—they speak Spanish down South and places in Canada speak French…other than that I don’t know. Why did they offer Latin? Why did I take it? Hmmm

What languages are relevant today?

More than 300 distinct languages other than English are now spoken in the United States. According to the U. S. Census Bureau’s 2009 Statistical Abstract, those with the most native speakers in this country are Spanish, Chinese, Tagalog, French, Vietnamese, German, and Korean (all with numbers of speakers in the millions), followed by Russian, Arabic, and Italian.

Other languages with large numbers of speakers (in no particular order) include Portuguese, French Creole, Yiddish, Greek, Polish, Hebrew, Hungarian, Navajo, Laotian, Thai, Hmong, Hindi, Urdu, and Serbo-Croatian.

What languages do you speak or desire to speak?

I have managed to finally learn Spanish, and can converse in French if I practice. I want to be fluent in several languages such as Chinese, Italian and I reckon it would very cool to be able to speak Mayan “Utz kin” to you! Learning another language, as an adult can be daunting… the challenge is that we all have different learning styles; so there is not a one size fits all. Personally, I did not really like the Rosetta Stone programs, but I like Michel Thomas… I have learned and strengthened language skills with his program. I also use Pimsileur as a back up and for practice, but have settle on the Thomas method.

But those of you with young children with young developing brains… start now exposing them to languages. I know a family in which the Dad is a native French speaker and the Mother among other languages speaks English. To encourage their children to be multi-lingual Mom speaks English to the children, while Dad speaks French. The children have come to recognize Mom’s language and Dad’s Language… even correcting them if parents accidently spoke in the incorrect language. Pretty incredible.

So you are monolingual—now what?

Exposure is the key… find opportunities for reading (looking at) foreign languages or watch or listen to media in other languages. You probably won’t know anything, but that’s OK. Start by making it at least vaguely familiar. Find children’s books in other languages—for fun, see if you can find books that are in multiple languages… curious children, may try to decipher the new language. The thought here is to make other language use to feel normal… then let curiosity lead them.

Where do you find books in multiple languages?

Lunchpail Books is one example of site that offers fun books, that are not only simple to read, but are currently available in English, French, Spanish and Chinese. Maybe this is one way to expose your beginner reader children’s books in multiple languages.

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Jun
11

The Importance Of Sight Reading

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When children very first learn that symbols can be used to represent thoughts or spoken words, they start with the assumption that the whole symbol represents the whole word. Because it is so hard to memorize a complete, complex shape like a word, children adopt strategies of seeking out salient features from a word, and using those features to identify the word. This is why children can recognize the word “McDonalds” when the M is represented by the golden arches, but fail to recognize it when it is printed for them, and this is why children often mistake words like LOOK for BOOK or WAG for DOG. Children nearly instinctively attempt to memorize words as wholes when they can, and they seek out distinctive features of words.

Philip Gough conducted a brief study that revealed these tendencies in children. He questioned children to learn some made-up vocabulary words, which he presented on flash-cards. In the corner, on one card, he deliberately placed a thumb-print. Children were very quick to learn the word which was on the card with the thumb-print, but after the children learned that word, they typically did not recognize it when the thumb-print was removed. Further, when the thumb-print was went to a different card with a different word, children tended to erroneously call the name of the word that originally accompanied the thumb-print. Even more revealing, but, when Gough presented a card containing only a thumb-print, and no word, children still tended to call the name of the word they had originally associated with the thumb-print.

Clearly this strategy for learning new words is maladaptive. Children memorize a word that is highly dependent upon context, and because most words share many visual features with many other words, children who attempt to memorize words as wholes tend to confuse words. Moreover, there is a limit as to how many words children can memorize – while most competent readers have a reading vocabulary of 50,000 to 75,000, children who memorize words as wholes are only capable of learning a maximum of about 5,000 words in isolation.

Moving from memorization to decoding

In order to become competent readers with reading vocabularies in the 50,000 to 75,000 range, children need to learn to decode words rather than simply memorizing them. Decoding words is much more generative and flexible and requires much less attention and memory. Children who can decode words are able to break down new, unfamiliar words, and arrive at a phonological code that they can communicate with others (i.e. a child can sound out an unfamiliar word, and, if necessary, question others what that word means).

One vital goal, then in teaching children to read is to encourage them to abandon their natural tendency to memorize words as wholes, or to memorize salient features of words, and instead to learn to break words apart, examine the letters and chunks within the words, and decode them.

How, then, are we to clarify the time and effort spent teaching children to memorize words? An often stated goal of many reading teachers, reading programs, and even state standards documents, is that the teacher will enhance the child’s repertoire of “sight words.”

Sight words

The concept of sight words has foundations in the “Look-Say” approach to reading instruction – the thought was to teach children to simply memorize the most common words in written English on the assumption that memorizing the most common words in the language would give the child a leg up when attempting to read connected text. A child’s natural tendency to memorize the whole word, or to memorize some salient feature of the word, was encouraged by teachers, and to facilitate the memorization of the words, children were presented with text that was composed nearly entirely of words from the well loved sight word lists. Children were able to read those texts, but usually had difficulty reading more authentic text which was not primarily composed of sight words.

The term “sight word” is still with us, and the sight word lists that were made before World War II, such as the Dolch list, are still very popularly used. But, some people have reinterpreted the definition of a sight word. Whereas a sight word once universally referred to a word which the child had memorized as a whole (without learning to decode it), now some have redefined the term to mean something different.

Some use the term “sight word” to refer to words which do not adhere well to the principles taught in phonics lessons (e.g. WAS, THE, ONE, OF, SHOE, SAID), and which must, it is therefore claimed, be memorized. These words have traditionally been called “irregular” words, or “exception” words, but some are also applying the term “sight word” to words in this category.

Some use the term “sight word” to refer to words which have been encountered so frequently that a reader no longer needs to laboriously sound them out. The first time a child reads the word YELLOW, the child may struggle and have some difficulty. Gradually, the child becomes more and more familiar with the word, and eventually, the child is able to read the word without hesitation or conscious thought. At the end of this evolution, according to this perspective, the word becomes one of that child’s “sight words.”

Exception words (Irregular words)

Neither of these applications of the term seems appropriate. Words that can not be directly sounded-out already have a designation, they are called exception words or irregular words, and even these exception words are not memorized as wholes – most of the letters in exception words are “regular” and children still benefit from processing these words at the letter level, chunking the words when necessary, and applying knowledge of letter-sound relationships.

Likewise, the notion that sight words are words which are processed so automatically that no conscious thought is required also seems specious. By this definition, pseudowords like BIP and FANK are sight words for most skilled readers because, even though they have never encountered those words before, skilled readers are able to process them automatically without concerted effort.

Conclusions

The term “sight word” has a clear definition, and adopting that term for other concepts only serves to confuse the issues. If a child has learned to recognize a word without learning to decode the word, then that word is a “sight word” for that child. When a teacher encourages a child to memorize more words by sight, that teacher is delaying the inevitable – eventually, in order to become a excellent reader, that child will have to start processing words at the letter level. There is no clear empirical evidence that teaching very young children to memorize a few basic and common words is harmful – for very young children, this approach may really help to build a foundation and familiarity with text. But, it seems clear that teaching children in the 1st and 2nd grades to memorize words only detracts from one of the primary goals of reading instruction – as early as possible, children need to learn to attend to the letters within the words, and to decode the words, and children need to become so proficient at this skill that words are decoded rapidly, and without conscious effort.

Where do you find books that are designed appropriately for young readers (Sight Readers)? Start with Lunchpail Books

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Jun
06

Peep Peep Finds A Friend

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New book available at Lunchpail Books:

“Peep Peep Finds a Friend”

The child in all of us notices the superficial differences in everything around us; but from the standpoint of innocence– diversity is neither excellent nor terrible—we are just different. Peep Peep’s new friend Gua Gua captures that diversity that draws us together, not apart. Aren’t we more alike than we originally thought? “Gua Gua” by the way is the sound ducks make in China.

“Peep Peep the duckling
Tries hard to obey,
But it is not simple
To be excellent all day.”

Don’t we all have distress being excellent all day!

Peep Peep is the precocious duckling who stars in “Peep Peep Comes Home” and “Peep Peep Takes a Walk”. This time while feeling a small bored meets an unusual looking duck named Gua Gua. Peep Peep eggs Gua Gua along and before they realize it they are in the midst of another adventure. Adventures when shared, bond acquaintances into friends.

Not familiar with Lunchpail Books? Lunchpail Books, specializes in early reader books….hmmm that doesn’t help—

What is an Early or Simple Reader Book?

Simple readers are relatively new. They really started in 1957 with The Cat in the Hat by Dr. Seuss (Theodore Geisel). Before then illustrated books were mostly read-aloud tales designed to be read to children by adults or perhaps older children. The Cat in the Hat was written with a controlled vocabulary limited to the 220-word Dolch vocabulary list. This was ideal for the beginner reader. This is what made Dr. Seuss so special and fun to read. A trip to the bookstore or anywhere that is selling children’s books, you will still find a plethora of titles by the late author. Very few other books offer such compelling tale telling with such a controlled vocabulary

Lunchpail Books continues the tradition of fun, exciting simple reader books utilizing the same controlled or restrictive vocabulary. Each book is careful crafted inside and out to provide children with sound foundation in independent reading. We highly recommend that you start with the “Peep Peep” series and watch your early reader get excited about reading!

We are also pleased to announce that in keeping with the theme of diversity… we will be offering “Peep Peep Finds a Friend” in English, Spanish, French and Chinese… Here Is a sample:

Peep Peep the duckling
Tries hard to obey,
But it is not simple
To be excellent all day.

?????,
??????
?????,
??????

Peep Peep la canette
Essaie de bien écouter.
Mais ce n’est pas facile
D’obéir toute la journée.

You will find that these books have similar rhythm and rhyme schemes to carry one the texture of Lunchpail Books. These are fantastic for native language speakers, or perhaps you want to practice a foreign language. I have to admit, although I like languages, I am not very fluent in any. I am completely unable to read Chinese. To check on this translation… I went to the local Chinese restaurant and had them read it. They were laughing quite a bit… I will never know if they were laughing at or laughing with the book!

For helpful knowledge in the sphere of working with children – go through the page. The times have come when proper information is truly within your reach, use this possibility.

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May
14

More On Rhyming Books

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Young children like the sounds of rhythms and rhymes, from Mother Goose and other traditional rhymes to recently written rhymes. When the rhymes are coupled with engaging illustrations, children tend to delight in hearing (and seeing) them again and again. A nice side benefit is that rhymes, alliteration, and other word play are fantastic ways to start to prepare children to learn to read. (From About.com:Children’s Books)
1. Excellent for You

Subtitled Toddler Rhymes for Toddler Times, Stephanie Calmenson’s entertaining book celebrates all that toddlers can do, from playing on the playground to using the potty. Other topics include colors, manners, counting, the alphabet, animals, travel, families, and friends. The two dozen poems feature the bright and lively artwork of Melissa Sweet. (HarperCollins, 2001. ISBN: 0688177379)

2. Four in All

Both the poetry and the artwork in Four in All are unusual and affecting. Written by poet Nina Payne and illustrated by her son, Adam Payne, the text features just 56 common nouns set in verses that are surrounded by dramatic cut-paper collages. The tale of a young child’s adventure is told in such verses as “oats wheat corn rye / sun moon stars sky.” (Front Street, 2001. ISBN: 1886910162)

3. Playtime Rhymes for Small People
Clare Beaton’s book features her imaginative fabric and trim collages and 40 well-loved rhymes and finger plays. Many, like “I’m a Small Teapot,” will be familiar to you; others may be new to you. The finger play instructions that accompany each rhyme are particularly helpful and ensure that you and your child will get the maximum enjoyment from the book.(Barefoot Books, 2001. ISBN: 1841484253)

4. Tomie dePaola’s Mother Goose
This delightful book contains 200 rhymes, ranging from such familiar Mother Goose rhymes as “Ancient Mother Hubbard”, “Simple Simon,” and “Small Miss Muffet” to “Yankee Doodle” and other traditional rhymes. The folkart-style illustrations from the talented dePaola are full of excellent cheer and include a diverse group of children, adults, and farm animals. (Penguin Putnam, 1985. ISBN: 0399212582)

5. The House That Jack Built
The constant repetition in this traditional rhyme is particularly appealing to young children. Diana Mayo’s large and vivid illustrations cover the pages, bringing life to each verse. There are a lot of details in the pictures that children will have fun identifying. This rhyme is one that three- to five-year-olds will delight in learning to recite. (Barefoot Books, 2001. ISBN: 9781846860768)

Do you like books that rhyme? We do at Lunchpail Books… I want to add-
6. Peep Peep Finds a Friend
In this adventure our favorite duckling makes a new friend named Gua Gua . Gua Gua is also a young duckling, but doesn’t look anything like Peep Peep. In spite of their differences they become quick friends and experience an adventure all their own. Lunchpail Books are carefully crafted to encourage successful independent reading with a comforting message of like and acceptance.

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